Nasty Rox Incorporated
Cash
ZTT/Warner Bros.
Trevor Horn may be the most important producer since George Martin, but recently his Midas touch has been more like Medusa’s: Frankie Goes To Hollywood’s second album flopped; Art of Noise left Horn’s record company, ZTT, in a huff; and Frankie lead singer Holly Johnson sued the label, won, and ZTT paid court costs.
Horn has been forced to freelance, and although he and protégé Stephen Lipson coproduced two cuts on the last Pet Shop Boys album, few reviews of Introspective mentioned that fact —
Enter Nasty Rox Incorporated, ZTT’s latest “Next Frankie,” an attempt to imitate Horn’s imitators with one last, inimitable smorgasbord of rap, funk, metal, glam and pothead —
Which means it’s also entertainment. Nasty Rox are full of themselves, to say the least; the first song isn’t merely “8th Wonder” (as in of the world), but “9th Wonder.” It’s followed by “10th Wonder,” an even stranger brew of Sly Stone beats, James Brown braggadocio, George Benson chords, Jimmy Page solos, salsa horns and progrock arrangements. They also like to play the rock-star-as-fascist. In one song lead singer Dan Fox packs an Uzi, in another he threatens to “put a bullet in your brain,” in still another he claims to have “violence and crime all around me.” Phrases like “we rock harder than you’ll ever know” and “I’m laying down the law,” capture that classic, salami-in-the-spandex rock aura.
Since Nasty Rox aren’t metal morons or rap retards, the pistol imagery is harmless sexual innuendo, and the paramilitary jargon is balanced by lines like “Hotter than chili that’s been left out in the sun.” As literal as rock gets without being Spinal Tap, the chorus to “Say It, Mean It” is simply: “Say it (Say it) just like you mean it/Say it like you mean it but I know you don’t.” Likewise, “Escape From New York” samples Chuck Brown’s declaration: “I need some money.”
Such blunt desperation for moolah makes for some very up-to-the-minute music, where 70s hard rock truths dovetail with 80s dance floor insights. Backed by the world’s greatest drummer, Keith LeBlanc, and M/A/R/R/S’s turntable sampler, C.J. Mackintosh, Nasty Rox Inc. —
Like all Horn productions, Cash is padded with instrumentals. “Nobby’s One” —