ZANG TUMB TUMB DISCOGRAPHY “…which deny the freedom of the flesh…”

(zciq 8)

liverpool

FRANKIE GOES TO HOLLYWOOD

For Liverpool…..

Holly Johnson sang completely

Paul Rutherford semi-sang and wholly-moved

Mark O’Toole bassed himself and back voiced

Brian Nash punched guitar

Peter Gill thumped and drummed

The Liverpool Sound was produced by Stephen Lipson

Assistant engineer: Heff Moraes

Executive Producer: Trevor Horn

Additional keyboards: Peter Vetesse, Andy Richards, Stephen Lipson

Additional guitars: Stephen Lipson

Additional percussion: Andy Duncan Louis Jardim

Backing vocals by Betsy Cooke

Brass and strings arranged by Richard Niles

Liverpool was recorded at Wisselloord Studios just outside Amsterdam and Sarm West Studios just outside the realms of possibility: there are thanks from Lipson etc to these studios.

The Liverpool Look was designed by Accident (A432A) and photographed by Anton Corbijn. Released during October 1986: also available on record and compact disc ZCIQ 8 is number 23 in that Action Series

Zang Tuum Tumb Records for limited sake wish to acknowledge Corbijn, Barratt, Smart, Edwards, Stan Boardman.

Frankie Goes To Hollywood wish to acknowledge some sponsors and others: Hep Travel All at Anne Port Bay Hotel All at Borris House Graham Alcock Ian Haring and Lubbock Fine Eaton and Burley Rock-it Cargo Malcolm Hill Peter Webber Hire Tickle Them Ivories Studio Hire Stagestruck Nike.

Thankyou for inventing this cassette into your life “WE DON’T WANT TO ARGUE WITH YOU: WE WANT TO CAPTIVATE YOU.”

1

warriors of the wasteland 4'53"

rage hard 5'01"

kill the pain 6'38"

maximum joy 5'54"

2

watching the wildlife 4'05"

lunar bay 5'45"

for heavens sake 4'37"

is anybody out there? 7'36"

anton corbijn september 3 1986

wolfgang for moral support and advice dylan thomas duncan grant and jean cocteau for inspiration t.s.eliot for the wasteland and mad max for the warriors tom robbins for the jitterbug stephen r donaldson for the land dino for the flatter top haircuts max the only barber in Liverpool family and friends everywhere and god of course!

(ZTT logo)

ZCIQ 8

liverpool

FRANKIE GOES TO HOLLYWOOD

(Island logo)

(Chrome logo)

(Dolby logo)

This cassette contains over forty minutes of music including the songs WARRIORS OF THE WASTELAND, RAGE HARD, KILL THE PAIN, MAXIMUM JOY, WATCHING THE WILDLIFE, LUNAR BAY, FOR HEAVEN’S SAKE, IS ANYBODY OUT THERE?

The cassette feaures a pull out booklet containing further information regarding this music, and a set of Frankie Goes To Hollywood photographs.

to all who care tosh jenny martin regine and the rest of the team the laughing stock of london the past the present and hopefully the future so called world leaders you have been warned we don’t wanna die we wanna party love to dad family and joe and remember you never know what’s hanging until it drops

my mum and dad my sister ann tiny tish pope jenny martin john 360 robinson pete dick in the parmesan duck french john gaillard steve gant lipson heff ganta moraes trevor not meaning to be disrespectful horn ztt sonar drums paiste cymbals dynacord

my wife claire the in laws and the out laws tony dooze a cassette pope johnny boy barbican martin jenny glenn saggers and all on the pleasure tour ian cocker and scarfy gavin i’ll have it in three weeks mortimer keith thompson washburn uk steve the idiot lipson heft moraes wisselloord studios chris goodstaff cavey kway lude last but not least mondo everywhere i go the kids wanna rock bondage

lippo hell trevor tosh jenny martin ztt lucky mum dad laura the last of the caironians the bass centre lydia and toto gerry digney the cheques in the post

ZCIQ 8; Liverpool as a cassette

Manufactureed by Island Records

A Zang Tuum Tumb Item

All songs written by Gill-Johnson-Nash-O’Toole and published by Perfect Songs Limited

This cassette can be listened to in a number of ways

Liverpool is the second Frankie Goes To Hollywood cassette: the first was a double meaning cassette ‘Welcome To The Pleasure Dome’ (ZCIQ 1)

WARNING! unauthoriesed public performance broadcasting and copying of this cassette prohibited all rights of the manufacturer and owner of this recorded work reserved