ZANG TUMMM TUMB ARTICLES “the first draft of history”

Five go mad on Merseyside

Frankies Goes To Hollywood. Max Bell goes to Liverpool. Holly goes sick. Paul goes AWOL. Gnasher, Mark and Ped go completely bonkers. Photographer John Stoddart goes home in disgust…

Spending a day with Frankie Goes To Hollywood is not ordinary experience.

The five Frankies are an extraordinary creation.

Their image is the biggest jolt to the complacent music biz nervous system since Little Richard put on his lipstick pout. And their first single ‘Relax is climbing the charts, a memorable gasp of pleasure and pain.

So what and who is Frankie? Is he gay, straight, naughty, strict? Or what?

Frankie is singer Holly Johnson, a quiet night-loving charmer with studious glasses and a glint in his eye.

Frankie is back-up singer an dance master Paul Rutherford.

Frankie is bassist Mark OToole (hobbies include “being funky”). Is drummer Peter ‘Ped Gill (hobbies include driving ‘The White Flash, his dodgy resprayed Ford Capri). Is guitarist Brian ‘Gnasher Nash (hobbies too disgusting to mention here).

This is a band fired on tension and contradiction.

Wheres Holly?

“Hollys in bed with ‘flu,” the three musician Frankies explain as I get the ale in at Liverpools Beehive pub. And Freddie Mercury clone Paul Rutherford is AWOL for this interview. Bad boy.

“Great juke box, if you like ‘White Christmas.

“Paul and Holly wouldnt come here, but if they did theyd say it was really olde worlde. They prefer trendy places”

Have Paul and Holly ever been ‘normal?

“What, into girls like? At and early age.

“We skit ‘em all the time, But were all friends. Weve known each other since we were The Dancing Girls and we rehearsed in the Bridewell Cells behind the Hollywood club.

“Its an old police station where they put conscientious objectors during the war. They still have Long Live Stalin graffiti on the walls.”

Drink up. Move on…

Ferry Cross The Mersey.

We board the ferry that crosses the River Mersey, subject of the ‘60s song by Gerry And The Pacemakers that Frankie covered on the B-side of ‘Relax.

Gnasher points out the landmarks.

“Imagine youre seeing it for the first time sailing into Liverpool. See the old Cathedral? And theres the Liver Building and the Echo Building and the India Building. Its really impressive.”

Harveys

Its teatime and Frankie wants his daily cheeseburger.

(cont.)
We go to Harveys, the closest thing Liverpool has to McDonalds—a veritable paradise of junk food.

“Paul and Holly would rather hang out in the Café Tabac or the Armadillo Tea Rooms where everyone sits around going ‘Oh, Andy Warhol, yah, pretending its London.”

The Ministry

Liverpools best known rehearsal rooms. Frankie set up their gear and play me selections from ‘Two Tribes (the next single), ‘The World Is My Oyster and ‘Welcome To The Pleasure Dome.

Ped and Gnasher are almost serious for a minute.

“Everything we do is rock. Paul and Holly may think were Boys Town but were a rock band.

“Weve been represented as two faggots, with us as the backroom boys, but we write the music. Holly writes great lyrics and hes the voice. Paul is the dance master and he always looks great.

“Frankie is about sex and having a good time at somebody elses expense.”

Heres Holly

Its nighttime, so Frankie goes to Kirklands, a smart wine bar. Hollys appeared now and apologies for his ‘flu. Would you rather be in bed?

“Ooh. No, well, Id rather be in the Dorchester. Thats the sleaziest place imaginable. Its by the Bull Ring flats, a fierce place. And its sooo over the top.”

Sipping his Scotch and coke, Holly explains Frankie for his site of the fence.

“We used to be totally about lust, but now were dealing with love. I wrote this five-part song called ‘The Power Of Love which is all about the power struggle between sexual stereotypes. I got the idea from a friend of mine. She told me that love is the strongest magic of all.

“When youve learnt to love hell, youll be in heaven.”

Scally Wags

Holly says: “My job is to manipulate sensationalism. We want front pages. We want Quincy Jones (Michael Jacksons producer) to produce us. We want real American success.

“We are ambitious, all of us. It isnt just two ferocious homosexuals at the front with a back-up band. This is serious.

“I like elements of doubt. I leave my own sexuality quite open. I can see strengths of both sides.”

Give us a last line, Holly.

“Underneath it all were just scallies. But were hip scallies.”

Relax.